Copper with mercury gilding, engraved metalwork, one panel
Size (cm)
H 59.5 × W 56.0
Category
Craftwork
Accession number
BK1#01236
Description
Poppies and a frog are depicted on this work using a technique of hammering and engraving a metal plate. By hammering the reverse of the plate and then engraving the surface, the artist gives the frog a striking three-dimensional presence. Seated cross-legged with its arms folded, the frog appears to mimic a human lost in thought, lending the scene a gentle sense of humor. From the frog’s expressive face to the flowers in the background, the piece showcases the artist’s masterful engraving technique. Ōsuga studied metalwork at the Kagawa Prefectural School of Crafts (now Kagawa Prefectural Takamatsu Technical High School) and later became a close disciple of Kitahara Senroku. In 1927, he participated in the founding of Kōjinsha, a group led by Kitahara Senroku. His works are characterized by realistic portrayals of familiar plants and creatures.
Description
Poppies and a frog are depicted on this work using a technique of hammering and engraving a metal plate. By hammering the reverse of the plate and then engraving the surface, the artist gives the frog a striking three-dimensional presence. Seated cross-legged with its arms folded, the frog appears to mimic a human lost in thought, lending the scene a gentle sense of humor. From the frog’s expressive face to the flowers in the background, the piece showcases the artist’s masterful engraving technique.
Ōsuga studied metalwork at the Kagawa Prefectural School of Crafts (now Kagawa Prefectural Takamatsu Technical High School) and later became a close disciple of Kitahara Senroku. In 1927, he participated in the founding of Kōjinsha, a group led by Kitahara Senroku. His works are characterized by realistic portrayals of familiar plants and creatures.