At first glance, the work appears to consist of white paint applied on a black background. In fact, however, it is created by leaving areas of the white background exposed and laying black oil paint on top of it. By deliberately creating a disjunction between the method of painting the viewer imagines and the method actually employed, the work prompts reflection on the very act of painting itself. Yoshihara Jirō was born in Osaka Prefecture. In 1934, he was selected for the first time for the Nika Exhibition, an artists’ association founded in 1914 by emerging painters in opposition to the Ministry of Education Art Exhibition (Bunten). He became a member of the Nika Association in 1941. In 1954, he founded and led the avant-garde Gutai Art Association, dedicated to breaking with established conventions.
Description
At first glance, the work appears to consist of white paint applied on a black background. In fact, however, it is created by leaving areas of the white background exposed and laying black oil paint on top of it. By deliberately creating a disjunction between the method of painting the viewer imagines and the method actually employed, the work prompts reflection on the very act of painting itself.
Yoshihara Jirō was born in Osaka Prefecture. In 1934, he was selected for the first time for the Nika Exhibition, an artists’ association founded in 1914 by emerging painters in opposition to the Ministry of Education Art Exhibition (Bunten). He became a member of the Nika Association in 1941. In 1954, he founded and led the avant-garde Gutai Art Association, dedicated to breaking with established conventions.