Kinma Zonsei Box with a Butterfly Flying through a Forest
Artist
Isoi Masami (1926–2023)
Period
1985 (Shōwa 60)
Quality and quantity
Lacquer, one box
Size (cm)
H30.3 W19.0 D12.2
Category
Craftwork
Accession number
BK1#01285
Description
The outlines and fine details of the chestnut tiger butterfly (asagi-madara) are rendered in zonsei, a technique in which areas surrounding motifs rendered in colored lacquer are carefully carved to refine their forms, combined with chinkin, in which gold or silver foil or powder is inlaid into lines that have been cut. The pale blue areas of the wings are depicted using tenbori chinkin (dotted chinkin). The background is roughly carved with a round gouge, filled by applying dozens of thin layers of colored lacquer, and then polished. Isoi Masami was born in Takamatsu City. He learned lacquer art techniques at Daidō Kōgei Bijutsusha, a lacquerware manufacturing company founded by his father, Isoi Joshin, to support artists returning from overseas after the war. In 1985, Isoi Masami was designated a Holder of an Important Intangible Cultural Property, Kinma. This work was selected for the Thirty-second Japan Traditional Art Crafts Exhibition. Isoi devised a number of original techniques that expanded the expressive range of lacquer art, including sekisō (laminated substrates formed by layering shina plywood), suiage (a method in which rendered motifs appear and disappear depending on the viewing angle), and ōfuku-bori, an adaptation of dotted carving that produces softly blurred color effects.
Description
The outlines and fine details of the chestnut tiger butterfly (asagi-madara) are rendered in zonsei, a technique in which areas surrounding motifs rendered in colored lacquer are carefully carved to refine their forms, combined with chinkin, in which gold or silver foil or powder is inlaid into lines that have been cut. The pale blue areas of the wings are depicted using tenbori chinkin (dotted chinkin). The background is roughly carved with a round gouge, filled by applying dozens of thin layers of colored lacquer, and then polished.
Isoi Masami was born in Takamatsu City. He learned lacquer art techniques at Daidō Kōgei Bijutsusha, a lacquerware manufacturing company founded by his father, Isoi Joshin, to support artists returning from overseas after the war. In 1985, Isoi Masami was designated a Holder of an Important Intangible Cultural Property, Kinma. This work was selected for the Thirty-second Japan Traditional Art Crafts Exhibition.
Isoi devised a number of original techniques that expanded the expressive range of lacquer art, including sekisō (laminated substrates formed by layering shina plywood), suiage (a method in which rendered motifs appear and disappear depending on the viewing angle), and ōfuku-bori, an adaptation of dotted carving that produces softly blurred color effects.